A blog about art and the soul
By Joy L. Martin
It must go further still: that soul must become its own betrayer, its own deliverer, the one activity, the mirror turn lamp. (W. B. Yeats)
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24 October 2015. The Cambridge Junction presented a double bill of dance pieces last week by the James Cousins Company, and when I found out that the show was based on the novel Norwegian Wood by Haruki Murakami, I went to buy the book a few days beforehand. The first, longer piece…
1 October 2015. I think there is a quiet prejudice against comedy as an art form circulating in our current cultural environment, and I think I unconsciously absorbed this prejudice without realising it. The Arts Council does not fund comedians, and in August The Independent reported on a letter sent…
17 September 2015. It’s Thursday night in Cambridge, and the way into the show I am about to see,Of Riders and Running Horses by Dan Canham’s dance theatre company Still House, is a long climb up a winding, breezeblock stairwell to the top of the five-storey car park next to the…
3 July 2015. The BE Festival is a gathering of contemporary European performance and takes place at the Birmingham Repertory Theatre; when my mate Nicky and I arrive we are told to go around the back of the building. It’s a strange, deserted alleyway that we walk down at first, and then,…
On Saturday 23 May 2015 the Cambridge Junction presented Watch Out, a day-long festival of contemporary performance which follows in the footsteps of their previous festivals Night Watch and Sampled. I studied the line-up ahead of time, and it was interesting, as always, to consider the different dimensions of theatrical experience: The Before, The During, and The After.…
20 May 2015. The dancers dart and glide between the patterns of falling and rising juggling clubs, gently varying their steady geometry. These airy diamonds hold the dance momentarily in a live force field. Then there is flow and escape. The violins, viola, cello, and double bass make a harmonious landscape…
7 May 2015. Sombre and tender he recounts a tale of woes to a handpicked listener but the story fans outward to us who sit in the dark then in the light. The straggling text of online chats are magnified in their littleness as we watch it all scroll down. …
4 March 2015. I’m always going to love it when I walk into a theatre and hear the howling guitars of AC/DC turned up - right up - on the sound system, as I did when I entered the Cambridge Junction to see Grounded by award-winning playwright George Brant last…
I went to see the Cambridge Junction’s Christmas show Around the World in 80 Days on Thursday night, and my heart is still warm and glowing from it, as if there is a nonchalant heap of red and gold coal behind an iron grate on the front of my chest. …
I went to see Don Quijote, a show by Emma Frankland and Keir Cooper, in association with Ultimo Comboio, which came to the Cambridge Junction on Wednesday 24 September. I have a dear Spanish friend, José, so I invited him to come with me. As we entered J3, the Junction’s…
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Aesthetics Antigone Around the World in 80 Days Battersea Arts Centre Bernard Slade Cambridge Junction Circa69 Criticism curious directive Don Quixote drone warfare Easy for You to Say Emma Frankland Friedrich Holderlin Fundación Collado Van Hoestenberghe George Brant GETINTHEBACKOFTHEVAN Grounded Kier Cooper Lemonade and Laughing Gas Lisa Dwan Live Art Lucy Ellinson Luke Wright Made In China Marie-Claire Blais Miguel de Cervantes Modern Theatre New International Encounter Nightwatch Festival Norwich Number 1 The Plaza Project O RashDash Rilke Robert Wilson Rosalind Bouverie Rotterdam Sleepwalk Collective Stefanie Mueller Still House Swagga Theatre by the Lake Theatre Royal Bury St Edmunds VerTeDance