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A blog about art, spirituality and writing

By Joy Martin

It must go further still: that soul must become its own betrayer, its own deliverer, the one activity, the mirror turn lamp.     (W. B. Yeats)

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'Aquamarine Cobb', Used Courtesy of Artist Hilary Buckley

Serendipity Story #2: The List of Dreams

10 October 2017... It was early August 2016, a few days after I put all my worldly possessions in a storage unit at Cambridge’s Newmarket Road industrial estate and watched the Frenchman drive away in his vintage Citroen station wagon, hauling a now-empty trailer and bound for the ferry at…
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Serendipity Story #1: The Sign of the Pilgrim

31 Oct 2017. When I visited St-Jean-Pied-de-Port, France, in July 2016, I didn’t know that I was visiting as a pilgrim-to-be. My tall, wild French boyfriend drove me there in his vintage Citroën Mehari. Holding hands (not able not to hold hands), we walked through the hilly, winding, cobbled streets,…
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Novel Teaser #1

31 October 2017. Stella is encased heavily within time right now. She feels the passing of seconds, minutes, hours and days as if a loud ‘tick-tock’ is an audible undercurrent to every moment of her life, and she is straining against its slowness. She knows that perhaps, hopefully, she will…
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Meow Meow performs ‘The Little Mermaid’. Photo: Pia Johnson

Edinburgh Fringe Festival: Siren and Meow Meow’s Little Mermaid (Sparkling, Comedic Shallows…Poignant Depths)

23 August 2017. It just so happened that my last day of seeing shows in Edinburgh this year was entirely mermaid-themed. My middle name is Lorelei, which is the name of the siren who enchants sailors on the Rhine in 19th-century German songs and poetry, so siren stories have always…
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Edinburgh Fringe Festival: Wild Bore (Oh My God, Look At Her Butt)

20 August 2017. Wild Bore, the new show created and performed by Zoë Coombs Marr, Ursula Martinez and Adrienne Truscott, is creating a bit of a stir at the Edinburgh Fringe this year. I felt an intriguing, ironic frisson personally as I took my seat and pulled out my pen and notebook to…
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Edinburgh Fringe Festival: Frankie Vah by Luke Wright (Lush, Transporting, Poetic)

18 August 2017. I felt as if, having come to the Edinburgh Fringe Festival to drink from the magic fountain of Art, that at the end of my second day I was still en route to the metaphorical fountain at the centre of the festival, and still thirsty... Then I…
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Edinburgh Fringe Festival: The Portable Dorothy Parker (Beautiful Homage)

14 August 2017.  When I walk into the small room where the play is showing, the stage is set with period furniture from the 1940s: an armchair, a desk holding a neat pile of white paper, a small, black manual typewriter, a liquor glass half-filled with amber liquid, hardback books,…
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Edinburgh Fringe Festival: Hammerhead by Joseph Morpurgo (A Fan Letter)

13 August 2017.  A part of me would like to structure my review of Hammerhead by Joseph Morpurgo as a fan letter to him, such are the grateful, admiring and affectionate feelings fluttering around in my heart after seeing his solo hour of character comedy. ‘Dear Joseph Morpurgo, I just want to…
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Edinburgh Fringe Festival: Ancient Shrines and Half Truths by Binge Culture (Interactive Whimsy)

13 August 2017. The rise of technology as an artistic material in performance has facilitated a new sort of kaleidoscopic theatre in which each individual audience member, via an interactive format similar to a video game, has a different and unique shake of the show. Ancient Shrines and Half Truths by New Zealand…
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Photo of Illustration by Igor Oleynikov

The Emperor and the Nightingale at Theatre by the Lake

2 December 2016.  The Theatre on the Lake in Keswick, Cumbria sits on the shore of Derwentwater, encircled by the snowy peaks of the Lake District National Park. On Saturday night I went to see their new Christmas show, The Emperor and the Nightingale, written by award-winning playwright Neil Duffield and directed…
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